Wednesday, October 13, 2010


Cudù: Delivery (Materiali sonori, 1988)

Decadence can be lush, even without much overabundance. "Waterplay" is voluptuous, and layered, but its sound is essentially barren. The tracks float in some uninhabited ambient/jazz sea, secretly braced by the most diverse post-punk currents. Where they emerge, they draw the music close to no wave, or A Certain Ratio's punk/funk. Most of the times, though, it's the sonic imprint of Tuxedomoon, Brian Eno and David Torn that dominates.
Rarefied - yet omnipresent - synthetizers and sudden free-jazz zigzags: these are the antipodal souls the album masterly conciliates, never sacrificing atmosphere to obliqueness or vice versa.
And the cover version of The Velvet Underground's "Sweet Jane" is simply prodigious.

Cudù are a band from the Florence area. This is their second album, after the MiniLP "Neck".
The album was first posted on the blog Pinzillacchere musicali, which made it available on the net for the very first time after a long time of unobtainability.

  1. I Saw
  2. Delivery
  3. España
  4. The Whistling of Time
  5. The Bright Side of the Moon
  6. Sweet Jane
  7. Apocalypse Blues
  8. No Result
Download (192 kbps)

Similar music on the blog:
Nicola Alesini, Pier Luigi Andreoni: Marco Polo (Materiali sonori, 1996)
Minox: Lazare (Industrie Discografiche Lacerba, 1986)

Saturday, October 9, 2010


Bandabardò: Iniziali bì-bì (BMG Ricordi, 1998)

There's a whole musical universe linked to secondary school leftfield culture, the one acquainted with student strikes, keffiyeh and Che Guevara t-shirts. The sound - roughly a merger of Mano Negra's patchanka and Gang's combat-folk - is a mixture of ska, reggae, world&traditional music, gipsy fascinations, cantautori political involvement (though much more utopian than focused on class struggle) and slightly sugary poptimism.

Florentine band Bandabardò is easily the best of the lot. Their style is light and skippy, strictly acoustic and braced by excellent musical skills. The guitar ranges from gipsy swing to straight upbeat strumming, while the double-bass/drums combo is at ease both with jaunty and more relaxed rhythms.
But that would be nothing, if the songs weren't as galvanizing. "Hamelin Song", "Cuore a metà", "L'estate paziente", "Beppeanna" and many other have hyper-catchy melodies and refrains, which don't look cheap beside a cover of Lucio Battisti's "Una giornata uggiosa". The lead singer's voice is personal and persuading, and perfectly contributes with its timbre and multiple languages to the trampy allure that emanates from the lyrics.
These last are both a great point and a black mark in the matter of the music. They're usually very light and well-written - very far from the usual languid rhetoricism of the genre though absolutely in line with its off-the-shelf "One Hundred Years of Solitude" obsession. A couple of songs nevertheless ooze with a sex mania which frankly spoils most of the lyrical construction. Bandabardò's devoted public won't probably care about that anyhow, and will just consider the abundance of unnecessary explicit references a "very leftfield" way to celebrate passion without falling into mainstream lovesong clichés.

  1. Hamelin Song
  2. Cuore a metà
  3. Disegnata
  4. Una giornata uggiosa
  5. L'estate paziente
  6. Mélo
  7. Ubriaco canta amore
  8. Beppeanna
  9. Juste le temps
  10. Lo sciopero del sole
  11. Bandabardò live (Brigitte Bardot)
  12. Il circo mangione
  13. Ewa
  14. Sans papiers (iniziali S.P.)
  15. Stai calmo rocco
  16. Quello che parlava alla luna
Download (192 kbps)

Similar music on the blog:
Gang: Le radici e le ali (1991)
Mariposa: Pròffiti Now (2005)