Engineered by Chicago-punk veteran Iain Burgess (the man behind Big Black's "Atomizer"), "Everyday-Everyman" has a memorably corrosive sound: the guitars emit a rasping, wrecked jingle-jangle, the drums are dry and convulsive, and the bass is as metallic as rust, as thundering as a roar. Two opposites define the album: a psychotic obsession for hyper-cerebral intrication and aseptic structures, and a feeling of total clumsiness and lack of precision.
The compositions aren't that important after all: all they have to do is provide the sound a constant stream of harsh and contorted guitar riffs, uneven stop'n'go dynamics and metronomic bass patterns. They serve quite well for the purpose, and that's all about them.
Three Second Kiss are a guitar-bass-drums "power trio" from Bologna. They're among the most celebrated artists of the Italian math-rock scene, which is quite renown abroad. This is their second lp out of four, and it features the guest appearance on vocals of Uzeda's singer Giovanna Cacciola (for the very short track "Pipeline").
- Operation Dragon
- I Cried, You Didn't Listen!
- The First Fire
- Speak, It's So Dark
Similar music on the blog:
Uzeda: Different Section Wires (Touch and Go, 1998)
Taras Bul'ba: Incisione (Wallace, 2005)