The album I'm posting today is Musicanova's second album, an almost miraculous collection of songs composed to renew the traditional music of Campania. The vocals are all in Neapolitan language and their interpretation is stunnigly keen and lively. The arrangements are complex, layered but always focused on the traditional styles: many tracks feature flute, violin and refinate rhythm guitar figures, and the overall sound is some sort of very cultured, inspired and ancient-sounding folk music. The presence of odd meters directly links to baroque music conceived for the dance, giving the songs a very astir and physical temper.
"Pizzica minore" opens on an impetuous zampogna-violin blast followed by an impressive vocal performance by Teresa Di Sio. "A la muntagna" is an apology of brigandage. It juxtaposes a tense, pastoral metaphore about sheep, wolves, hunters and robbers with a trampling, choral 15/8+9/8 strophe which recites:
Se n'è fujuto 'o rre Burbone
e n'è venuto n'ato cchiù putente:
cagna 'o guverno, cagna 'o padrone,
sulo pe' chi stà 'a sotto nun cagna niente.
The Borbone king fled away
Another one came, more powerful:
The government changes, the master changes,
Only for the lower ones nothing changes.
- Pizzica minore
- A la muntagna
- Siento mò che t'aggia dì
- A' morte 'e Zì Frungillo
- Tempo di carnevale
- Ninna nanna per voce e mandoloncello
- Canto allo scugnizzo
- Tarantella finale