Musically speaking, the album "Zero" is the most mature and varied in Bluvertigo's discography. The obvious art-rock influences reside on very solid synth-funk architectures, and the harmonic framework of the compositions is unusually clever for pop music in general. Dissonances and extra-rock chords are often used to cast an unquiet shadow on the atmospheres, and backing vocals tend to follow quite unpredictable orbits. Besides that, the music shows an unsuspected passion for rhythm inlays (quite close to Discipline-era King Crimson), and many tracks drift on a daring techno/industrial direction without abdicating to their popsong scheme.
The music conveys a sense of dissociation, but the lyrics go even further. As usual for Bluvertigo, the focus is on the feebleness of the sane/insane, reason/unconscious boundaries. The songs juxtapose partially unrelated flashes, in a style much debtor of Franco Battiato's, and definitely evocate a psychoanalytic setting. Some refrains unfortunately trivialize the overall result, but many tracks are perfect and striking.
Bluvertigo are a band from Monza, close to Milan, lead by charismatic singer/multi-instrumentist/composer Morgan (Marco Castoldi). "Zero" is their third and last studio album, featuring guest appearences by Mauro Pagani and Franco Battiato.
- La crisi
- La comprensione
- Finché saprai spiegarti
- Lo psicopatico
- Always Crashing in the Same Car
- Saxs Interlude
- Porno Muzik
- Niente x scontato
- Punto di non arrivo
Similar music on the blog:
Franco Battiato: Giubbe Rosse (EMI, 1989)
Central Unit: Central Unit + Loving Machinery (M.P. Records, 2003)